Skip to main content

More Company

On the SEO forum there are often cries of pain from people who can see competitors using 'unfair' tactics etc.

Our arena has been relatively free of that but there is quite a lot of rubbish in the SERPs when you look at it from the point of view of someone looking for particular Classical MP3s to download. You can put up with the modern stars who share part of their name with a famous composer but it is the sites that lure you through from an innocuous front to another site when you click that download button that are disturbing and frustrating.

Looking at Chopin MP3 and Dvorak MP3 this morning on Google there are also a few broken sites and a charming one that reports "Dvorak 0 files found" surrounded by other useless automated content. And you also tend to find that the 'Free' sites don't actually work.

The Chopin MP3 check was also a dramatic example of how Google adapts the SERPs to individual searchers because on Reladvance this morning we are between 35 and 45 for that phrase across different data centers whereas on my search we came in at 15. This is independant of whether I have signed in to my Personalised Google page or not!

Serendipidy being what it is I also found a Classical Portal site of which more later.

In other words there is not much legitimate competition selling individual tracks - the Russian sites are more of a worry because they undermine our value proposition so seriously. We just have to live with the subscription sites like eClassical.

Popular posts from this blog

Worldwide audience

In the last month Download2MP3 was reached from 169 countries with the remaining gaps being a few countries in North Africa. These days most visits are going direct to one of the big name composer pages although the ragtime category is holding it's own. The last twelve months or so have been a dry patch interms of producing more recordings but I'm pleased to report that the technical issues which been related to various software upgrades. I have been using Cubase for at least 25 years not on an Atari but an Acorn with an external roaland Sound Canvas synthesiser which was purchased in London's Tin Pan Alley. Some of the steps that have got us to 10.5 have been very disconcerting but the truth is that there is nothing to campare with it for the work that I do. I have also acquired some exciting new instruments in the last few months to augment the stalwarts which saw this site get underway. So the Covid19 Lockdown is giving me the time to produce more recordings wh...
Persistance does it It is now 15 years since this website was launched. In that time we have had ups and downs - some associated with Google algorithm changes but this year we seem to have seen steady growth in visits and some dramatic download volumes. It looks as if we might reach 1000 giga bytes of download this month for the first time ever.  Our global reach is wider - although Indonesia and India still account for over 25% of visits we had visits from 126 countries in the last week exceptions include Uragauy and some sub sahara countries. The bulk come through organic Google searches with the next largest share coming from our daily tweets. 

Mozart is powering our growth

For years our Mozart arrangements failed to achieve the recognition they deserved but in the last few months this has changed. Our Mozart page has move up the Google and Yandex search results and now benefits substantially from the high level of interest in this composer. Just wondering what I need to do to help Bach keep up. There are some odd features to the usage of our site - some of it almost looks like streaming as gigabytes are down loaded or there are thousands of page hits from what is reported as a Russian search index robot. No, perhaps Google just badly underestimate how popular we are in Russia because they are not so popular there. According to Google India and Indonesia are still the mainstays of our audience with Nigeria and South Africa nudging in just below the USA. So it seems we are supporting developing countries just not in the way orgiginally envisaged.