Skip to main content

Popular MP3 clips

As we have mentioned before Offenbach's Can Can is the most popular clip on our site - I suppose a free lofi 30 second clip of that music may have more applications than most of the rest of our material.

However it is part of a wider pattern where the composers of the first four most popular clips are 19th century French composers or French by adoption in Offenbach's case. They are Saint Saens with his Danse Macabre, Widor's 'wedding music' Toccata from his 5th Symphony and Gounod's Ave Maria.

Naturally we provide the clips to enable potential customers to check our description of the music and get some feel for the arrangement and an appreciation of the quality of the recordings on offer. To be practical we offer lofi versions because they are much quicker to download and it has been interesting to note the relatively low take up of the short pieces which we offer free of charge and in full at the same hifi quality as our other commercial offerings.

Today's streaming sample - Gallia - is from a relatively unknown piece by Gounod which was composed in London during the Franco Prussian war and reflects his feelings about sufferings of his country at that time. This is not a piece where the steel drums bring much sunshine but the contrast with the mega moog makes for an interesting and emotional interpretation.

Just click the link to download the lofi clip an if you find it interesting the full 15 minute log piece represents excellent value at $2.99.

Popular posts from this blog

Worldwide audience

In the last month Download2MP3 was reached from 169 countries with the remaining gaps being a few countries in North Africa. These days most visits are going direct to one of the big name composer pages although the ragtime category is holding it's own. The last twelve months or so have been a dry patch interms of producing more recordings but I'm pleased to report that the technical issues which been related to various software upgrades. I have been using Cubase for at least 25 years not on an Atari but an Acorn with an external roaland Sound Canvas synthesiser which was purchased in London's Tin Pan Alley. Some of the steps that have got us to 10.5 have been very disconcerting but the truth is that there is nothing to campare with it for the work that I do. I have also acquired some exciting new instruments in the last few months to augment the stalwarts which saw this site get underway. So the Covid19 Lockdown is giving me the time to produce more recordings wh...
Persistance does it It is now 15 years since this website was launched. In that time we have had ups and downs - some associated with Google algorithm changes but this year we seem to have seen steady growth in visits and some dramatic download volumes. It looks as if we might reach 1000 giga bytes of download this month for the first time ever.  Our global reach is wider - although Indonesia and India still account for over 25% of visits we had visits from 126 countries in the last week exceptions include Uragauy and some sub sahara countries. The bulk come through organic Google searches with the next largest share coming from our daily tweets. 

Mozart is powering our growth

For years our Mozart arrangements failed to achieve the recognition they deserved but in the last few months this has changed. Our Mozart page has move up the Google and Yandex search results and now benefits substantially from the high level of interest in this composer. Just wondering what I need to do to help Bach keep up. There are some odd features to the usage of our site - some of it almost looks like streaming as gigabytes are down loaded or there are thousands of page hits from what is reported as a Russian search index robot. No, perhaps Google just badly underestimate how popular we are in Russia because they are not so popular there. According to Google India and Indonesia are still the mainstays of our audience with Nigeria and South Africa nudging in just below the USA. So it seems we are supporting developing countries just not in the way orgiginally envisaged.